The 2011 Academy Awards came with a few surprises in the early going, which started by honouring the boxing drama The Fighter for its supporting performances.
Christian Bale, whose portrayal of a crack addict almost overwhelmed the boxing movie, was named best supporting actor, and Melissa Leo - whose self-promoting ads caused consternation in Hollywood - overcame the controversy to win the Oscar as best supporting actress.
Leo won for her excoriating portrait of the mother and manager of "Irish" Micky Ward, the real-life junior welterweight who overcame the odds (and his family) to win a title.
The actress had taken out ads in trade publications featuring glamour photos of herself, superimposed over the word "Consider." While the campaign did not hurt her chances, she ignited a second controversy during her speech when she said, "When I watched Kate (Winslet) two years ago, it looked so f---ing easy."
Bale said he wasn't going to drop the "f-bomb," but the slip of the tongue promoted co-host Anne Hathaway - at 27, the youngest host of the show in history - to say, "It's the young and hip Oscars."
Young and hip was a big part of the 2011 Oscar story. It was set up as a battle of Old vs. New Hollywood, with the veterans being given the edge. Old Hollywood was represented by The King's Speech, a piece of royal history with established star Colin Firth - an overwhelming favourite for the best actor award - as King George VI, the stammering ruler of England at the start of the Second World War, who has his stutter corrected by an eccentric speech therapist played by supporting actor nominee Geoffrey Rush.
The champion of the New Hollywood was The Social Network, a more modern sort of biopic. It tells the story of Mark Zuckerberg (played by best actor nominee Jesse Eisenberg, 27, part of the new generation of stars) who founded Facebook. That was a different kind of watershed event, one that may turn out to be no less earth-shaking than the war.
Aaron Sorkin won the award for adapted screenplay for his smart, fast-moving original screenplay for The Social Network. He paid tribute to legendary screenwriter Paddy Chayefsky, who won the Oscar "for another movie with Network in the title;" that is, Network (he also won for Hospital and Marty). The movie also won the award for best original score.
David Seidler, who wrote The King's Speech, won the Oscar for best original screenplay. "My father always said to me I would be a late bloomer," said Seidler, 73. He noted that he is the oldest person to ever win the award, which he accepted "for all the stutterers throughout the world."
With its front-running 12 nominations, and already winner of prizes given by the influential Directors Guild, Producers Guild and Actors Guild, The King's Speech led the pack.
Old vs. New also came up in another of the most hotly contested categories, best actress. Natalie Portman, 29 - playing a ballerina whose persona is slowly shattered when she has to find her dark side to dance Swan Lake - was the favourite almost from the time her film, Black Swan, had its premiere at the Toronto International Film Festival. But there was some late momentum for Annette Bening, 52, for her role as a workaholic doctor in The Kids Are All Right. Bening has been nominated three times before without a victory, and this might have been her last chance.
The Danish film In a Better World - a story about friendship between two families - won the Oscar for best foreign-language film, beating the Canadian entry Incendies, Denis Villeneuve's shattering film about a Montreal woman who returns to the Middle East to learn secrets about her family.
The Australian film The Lost Thing won the award for animated short film, beating the favoured Pixar entry Day & Night. Nevertheless, Pixar bounced back by winning the award for best animated feature for Toy Story 3.
Two Canadian animators - Dean DeBlois, co-director of How to Train Your Dragon, and Paul Dutton, animation director of The Illusionist - had also been nominated for that animated feature award.
In addition, Montreal effects artist Adrien Morot was nominated for the Oscar for best makeup for his work on the Canadian film Barney's Version, which went to The Wolfman, and Craig Berkey was nominated for the sound design of True Grit, an award that went to Inception.
Alice in Wonderland won the first award, for art direction, and Wally Pfister - director Christopher Nolan's favourite cinematographer - won the award for Inception, upsetting the favoured Roger Deakins from True Grit, who has now been nominated nine times without a win. The sci-fi epic also won the awards for sound mixing and editing. The Inception winners all gave special thanks to Nolan, who was snubbed in the best director category, even though the movie itself was nominated for best picture.
Credit : The Gazette,Montreal
